Berlin Complete Sketchbook Work

Berlin Complete Sketchbook Work

Below are 22 double-page spreads that I created during the Berlin trip. I endeavoured to use the sketchbook as a diary too, and document whatever I could of the trip so I can look back and remember properly.

Future of the Body: Week Two

Future of the Body: Week Two

I started a worksheet for week two. I’d been very excited about working in my sketchbook, but I thought that for experimentation’s sake, I’d work larger.

I had a one-to-one chat with Emma. She said her favourite work of mine was the drawing-heavy women with bio-luminescent body alterations. She also suggested that I continue drawing and brainstorming products for a future sci-fi type audience, since I’d done plenty enough research and context.

Wahoo! I couldn’t have asked for a more affirming conversation, since that’s what I really enjoyed doing. I had recently found some other inspiring illustrators, so I began drawing.

You can see media used ranges from watercolour to collage and marker.

Where am I going to take this next?

I’m going to fill the space up with drawings and keep my judgement suspended until then. After that, I’ll either complete another whole experimental sheet or run some self evaluation before I complete any more work. Once I’ve identified what I like a lot, it will allow me to refine the ideas and create more sophisticated work.

I feel I should mention that because Brighton have required an e-portfolio from me on next Tuesday, this project will run slowly until then. After that, I have an interview and will need to design a portfolio for that too. I’m juggling my time and this isn’t my priority right now!

Life Drawing 1

Life Drawing 1

Last Thursday I was lucky enough to grab a place in the weekly life drawing session after classes. The model was a middle-aged man called Peter, which was admittedly a challenge. In the sessions I’d attended in summer, I’d only ever drawn female models.

My placement in the room was to the side, which meant I got a LOT of foreshortened poses. No complaining, though – it’s the perfect storm of challenges that help me improve.

These were two five-minute poses. You can see I realised I had to loosen up after the first, and opted for charcoal instead. I learned that with a pose as short as this, there’s really no point measuring because you’re going for a gesture and a dynamic feeling.
Above are ten two-minute poses, each immediately after the other. Honestly, I felt like I’d run a marathon after this was over. This was invaluable for my eye, but I remember looking at everyone else in the room and exchanging mutually exhausted glances.
Here I was lent a thick brown graphite stick. It was water-soluble, and loads of fun to play with. This was a 15-minute pose, and Peter was heavily foreshortened. My eye was clearly in it this time – I’m pleased with this drawing.
After a short break, the final pose was 25 minutes long. I found measuring this quite difficult, but the foreshortening was again a good challenge.

The practice that the two-hour session afforded me was so useful. It’s quite an awkward time of the evening, at 4:30 to 6:30pm – because staying in from class can be exhausting and it makes for a very long day. I’ll definitely try to attend again, though.

Chance and Sequence Reflective

Chance and Sequence Reflective

This project was all about creating fine and abstract art based on the laws of chance. We took part in four activities. I’ve detailed exactly what we did in my reflective journal, so I’ll just upload pictures and critically reflect here.

String drop felt like quite a silly activity. In reality, I like what I created with it a lot.

How could I take this further? I could use the activity of “dropping” paper shapes onto magazine images to select images and shapes to collage with. This would force me to randomly select textures rather than carefully cutting out images I found appealing. I thought that if I coloured in the spaces in blocks, it could create quite an appealing background to another illustration or drawing. I could simply repeat the exercise with grass, straw, leaves or other natural material.

This was geometric randomness. I don’t really like this as a piece of art on its own.

How could I take it further? I thought I could do this with more limited colours, e.g. blue, purple and pink, to create a random piece of art that was slightly more aesthetically pleasing.

This was the collaborative, instructional drawing. I had a blast actually doing this exercise. I’m getting to quite like letting go of control in collaborative exercises. (And I never thought I’d hear myself saying that!) Things happen that would never have happened if I’d worked on my own.

How can I take this further? I could collaborate again with friends – e-mailing or swapping drawings to work on for each other.

The conceptual emotional drawing was fun again, because I jump at any opportunity to introspect and write about what I’m feeling. I like the composition of this a lot, and the stricter colour scheme made me feel better from the earlier drawings.

How could I take this further? Well, I actually made Jamie complete an identical exercise that night. I have his art and I might turn it into a larger piece, so that they could exist in a series.

Finally, I created some random poems using dice and newspaper clippings which you can see in my sketchbook. These really were nonsensical at times… I don’t know why, but I suppose I thought I’d create something super edgy and deep! They were still fun. I might create a few for my reflective journal or put a twist on them for something fun to do.

I do hope I’ll do some more work related to chance, even if just a small aspect of something else. It’s nice to leave the thinking to the laws of physics and probability!