Video Workshop Reflective

Video Workshop Reflective

Yesterday was the first technical workshop of the block – video with Kate. We were required in groups to shoot and edit a short video featuring “matching graphical cuts”, e.g. the circular part of an eye fading out to a moon in a sky. The shape, form or colour matches between shots and creates a tangible link between otherwise unrelated scenes.

A short storyboard.

One of the biggest difficulties was space and technology. Due to booking issues, we were in a very small edit suite with macs (my burning hatred for apple macs is stoked every single time I sit down at one of their shiny emotionless screens). Our mac was so confused we ended up working on Kate’s laptop.

If I were to take this further on my own, I can rest easy in the knowledge that I might have room to edit properly once there’s not a whole workshop in the room.

Here is the finished video. I have made this private, but just ask me if you’d really like to see it.

What was I pleased with? The group work went smoothly on this one. We had a good time, and everyone got their respective shots onto Google Drive and shared them with me. Importing the shots was probably the hardest thing because it needed so much collating.

I’m happy with this video as a whole. The shot passing the notebook across the table was edited very smoothly.; I feel like we hit the brief exactly with it. Kate seemed over the moon too!

What would I improve? In terms of the video, I’d ideally shorten the length of time the screen is entirely white (between the paper and the sky). It gets a little arduous watching that, and loses some of its energy.

Where can I take this? If I’d had a little more time in the edit suite alone, I could have played with PremierPro for quite a long time. I’ll need to think of a small project or something, just so I have something to edit.

I could talk to Kate or Louise about the possibility of animating over a video on some kind of transparent layer. Think Who Framed Roger Rabbit. I’m not sure whether I’d be using Adobe Animate or Premier Pro or what there.

The Unconventional Body Reflective

The Unconventional Body Reflective

The first half of the morning – dressing the mannequin – I have to admit I really didn’t enjoy.

Despite the fact that we took essentially a whole day out to gather materials, Martha and I didn’t have anything to create really striking shapes. Martha ended up constructing cool shoulder-pad things out of cardboard, but I just couldn’t get myself passionate about it.

Our finished mannequin. I liked the tape, but the morning was too stressful to really enjoy.
Some of our other collected objects.
There was a smaller mannequin I might well have enjoyed working on. I didn’t really get the chance to experiment for myself because of course it was a teamwork project.
The fold-out sketchbook I’ve since compiled in my normal sketchbook. The quality isn’t great, but it’s all in my sketchbook so I feel the reflective doesn’t suffer too much.

The drawing element during the second half of the day lifted my mood considerably. I finally got a real look inside my Artway box (I go NUTS over new art supplies!). I really enjoy fast-paced drawing because I know it’s good for me, even though I rarely practice it on my own. I feel like the course making me do drawing exercises is the equivalent to my mum forcing me to eat vegetables just to get something nutritious in me.

What could I have improved? I could have bought something huge to create an initial shape on my mannequin. It would have saved time and energy. It was bad luck that we live in halls and were the first group doing it, as every other group had free use of all our bought materials as well.

I feel like I didn’t work particularly well with Martha. We were both in a weird headspace that day and neither of us were talkative, but I felt like neither of us were confident enough with our own ideas to really make a statement on the final mannequin. There wasn’t any bad vibes, just a stressful and uninspired morning.

How will I take it further? I probably won’t work on full size mannequins again. I will use the drawing techniques to work quickly, and the paper collaging element – especially on the human body – helps me produce ideas in a freer sense.