Utensia: Day Four

Utensia: Day Four

Inspired by a number of artists, my research and work is bringing the illustration project near to a close.

Before the day, my research into papercraft and pop-up work led me to work for a few hours and create a few 3D experimental media iterations.

Above are three iterations of possible interactive oven doors based on various drawings from my initial ideas or media experimentation sheets. Note the zigzag texture was inspired from Samuel Shumway, my researched papercraft illustrator!
After a conversation with Louise, I was determined to create a little notebook that would fit inside the final coloured 3D oven. I have decided it’s a complete little experience for the viewer: getting to take something out of the oven after opening its door, and then getting to open that again and look inside!
The notebook is concertina folded with paper-covered mounting board I took from small offcut board scraps. The inside is mixed media_ brown paper, magazine, masking tape and coloured paper all glued together in ragged strips to create interest. After taking this image, I actually ran it through a sewing machine a few times to add stitch as further interest.
An image of the final 3D oven with its precious little clear window, perfectly sized to house my book.
beep beep beep! Notebook’s ready! Maybe you need tiny finger-sized oven mitts to take it out safely.

What was successful and why? In this section, I was proud of how the oven doors came out. I especially liked the zigzag texture, clear oven window and little wooden handle. In terms of the book, I’m proud of how textured the inner pages are, and also quite pleased with how straight I ended up getting the pages and mounting boards despite assembling it from so many separate pieces.

What was less successful and why? The final oven’s construction was needlessly laborious. This was a material limitation: all I had to hand was paper or cardboard, no cardstock which would have been an appropriate midpoint. I was also fuelled up on so much inspiration and so little money that I could neither have waited for nor bought the materials I wanted. I worked around it by reinforcing four of the six net panels with another layer of thick paper, meaning it’s quite structurally sound now.

Where will I take this? After Stephen Fowler’s work inspired me in terms of small-scale bookbinding and stamping, all I have left to do is find myself a rubber or two to carve some stamps into! I’d like to populate my little notebook with relevant stamps of ovens or grills. After that, Christmas is so close I doubt I’ll be continuing further.

I hope once completely finished with the project to create one more blog post of critical reflection on the project as a whole.

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