Illustration Extension: Order and Chaos

Illustration Extension: Order and Chaos

I really liked one of the sketches I’d created during the illustration workshop with Louise. I uploaded the sketch onto Clip Studio Paint and lined it digitally.

I then went online and did a little snoop around some colour palettes. I found one I liked that was quite muted and cool; this attracted me because I sit quite comfortably in warm colour palettes for illustration. I copied it in and used the five colours (and slight shades) to colour the illustration.

Other minor changes I made after that was to place a texture over the colour layers, change it to an orange and set the layer effect to multiply, then reduce the opacity a lot. I like a little bit of texture over my art.

I also took the whole (merged) colour layer and moved it very slightly to the left, then corrected any shaky lines. The slight skew appeals to me. I think this is a little inspired by Quentin Blake, who colours messily to a successful end.

This was the original.

I then experimented with layer effects to create some other versions of the illustration. This step is always fun for me!

This is with a Difference layer effect over the whole illustration. I can’t remember what colour I used to get this warmer palette, but I admit this version is my favourite. The other illustration just feels a little lifeless. Ines said she thinks this one feels like an early morning!
This is with the Exclusion layer effect. This one is great, because it makes me feel like it’s actually night time. I like that dark patches appear light and vice versa.

Overall, I’m happy with the illustration. The final one I would personally present is the orange one; the definition is clear and it gives off some cool vibes.

I’ve been having a think about what could push my style. I think I need more background work, or a larger basis of reference for backgrounds. I practice drawing backgrounds when I can in my sketchbook. I also need more practice drawing different body types. Some bodies, no matter how well drawn, are less aesthetically pleasing than others in terms of curves and how dynamic I can make them. I’m working to rectify that.

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