Klimowski’s parents were Polish emigres. Klimowski studied at St. Martin’s School of Art, but unexpectedly returned to Poland in 1973-80. “There he specialised in poster design and made films in a political climate where graphic communication was not merely oil for the wheels of capitalism, but a way of maintaining hope of a better future than Communism could provide.”
He had success creating book jackets for writer Milan Kundera, whose work was supporessed after the Russian invasion of Czechoslovakia in 1968. His collages are surreally inspired, often featuring bodies with the head obscured. This has relevance to the suppression of intelligence under an oppressive regime.



How is this relevant to my current practice? The graphic design brief specifies that our book jacket will be a photographic collage, and Klimowski’s works are just that. They have a “cut-and stick” feel to them that corresponds to the workshop’s activity of physically creating a collage.
Source:
Powers, A. (2001) Front Cover – Great Cover and Book Jacket Design, Mitchell Beazley, UK.
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